Making History Podcast: The Blog

December 25, 2007

Episode 2, Part 2: Martha Hodes

Sea Captain's Wife paperback cover This episode offers a candid discussion with Martha Hodes about the background for her latest book, her daily writing practices, her teaching of experimental history in the classroom, and some advice to graduate students about ‘finding the story’ in their dissertation topics.

Martha mentions some books that she recommends as inspiration for writing:

Erskine Clark, Dwelling Place
Clare Messud, The Emperor’s Children
Stephen Carter, New England White
Daniel Mendelsohn, The Lost: A Search for Six of Six Million

Some questions for discussion:

  • Martha says that she finds much of her writing inspiration from fiction. Do you find inspiration from fiction? If so, what books would you recommend to other writers?
  • When conducting your own research, do you find yourself looking for good stories to tell?
  • She notes that in The Sea Captain’s Wife she leaves out the sentence that says “I argue that…” because she feels that the argument is evident from the historical narrative. Do you, in your own writing, find the need to explicitly spell out your argument for your readers or do you find that you can write in a manner that makes the argument obvious?

In this episode Martha discusses her undergraduate class in “Experimental History.” This previous post links to her Perspectives article on this topic and offers links to the books and articles that she uses in the classroom.

November 13, 2007

“Writing History” Seminar: Studying the craft of historical writing

This quarter I’m taking a seminar called “Writing History” with Jeffrey Wasserstrom, author of China’s Brave New World. The aim of the class (from the syllabus) is to “explore the qualities of historical writing as writing and to see whether doing so can help those taking the class become better, or at least more versatile, authors of pieces about the past.”
Some questions that we are addressing via the readings:

  • How do those writing about the past convey what they have learned and the arguments they want to make?
  • What rhetorical devices do they use to try to enlighten, capture the attention of, provoke, persuade, or even amuse their reader?
  • Why do we think of some academic historians as especially good stylists or practitioners of the craft of historical writing?
  • What place, if any, should there be in non-fiction historical writing for techniques and approaches more often associated with one or another genre of fiction?
  • Why do some book reviews stick with us while others are immediately forgettable?

Below are the texts that we’re reading for the seminar (with hyperlinks). The books were all paired with relevant readings on the class syllabus. However, for ease of posting here, I’ve disrupted the connections and chronology. Many apologies to Jeff in this regard.

It’s my hope that this list, and other material at the Making History site, will be a catalyst for future classes on the craft of writing history, particularly experimental history:

Books:

Robert Darnton’s The Great Cat Massacre
Vanessa Schwartz’ Spectacular Realities
Erik Larson’s Devil in the White City
Mary Beard’s The Parthenon
Natalie Z. Davis’ The Return of Martin Guerre
Jonathan Spence’s The Death of Woman Wang
Lynn Hunt’s Inventing Human Rights
Amartya Sen’s The Argumentative Indian
Perry Anderson’s Spectrum

Articles:

Urban History, “Icons” issue multimedia companion
Mike Davis’ “The Flames of New York”
Jane Kamensky’s “Our Buildings, Our Selves
Laura Mitchell’s “Beyond Tense: Encouraging Historians to Think Hard about Writing and Reading
Martha Hodes’ “A House in Vermont, a Caribbean Beach: Beckoned by landscapes beyond the archive
Jon Wiener’s “The Weatherman’s Temptation
Mary Beard’s “A Don’s Life” blogposts
Hanchao Lu’s “The Art of History: A Conversation with Jonathan Spence
Greg Grandin’s “Toward a Global New Deal
Jill Lepore’s “No More Kings
Martha Nussbaum’s “Body of the Nation
Pankaj Mishra’s “Impasse in India

Blog at WordPress.com.